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best british films of the 70s

best british films of the 70s

50 Best Sci-Fi Movies of the 1970s From cosmic head trips to adventures in galaxies far, far away The British film industry appeared to keel over and die in the 1970s. Long disliked for its supposed mean-spiritedness and coldness, the film is finally starting to be recognised for the fitting series finale that it is. Polish director Jerzy Skolimowski adapted this deeply unsettling film from a very short story by Robert Graves and tells the tale of a psychiatric patient Crossley (Alan Bates) who claims he has learned a singular skill from his time with Australian Aborigines – he can kill just by shouting. Unusually, the titular demons are more psychological than supernatural in a tale of familial madness in which deranged Baron Zorn (Robert Hardy) becomes even more unhinged when he starts to believe that he’s passed his madness on to his children. Fans of British horror will be more than familiar with most of the films on this list, but those coming new to the genre and looking for more could do worse than hop aboard with any of the following oddities, which run the gamut from the more traditional Hammer gothics to a new breed of Home Counties nastiness that flourished during the decade. The Best '80s British Movie. British TV in the 70s picked up where the 60s left off especially with great British comedy and … It was previously only available in shoddy bootlegs that did little for the film’s oppressive atmosphere, so the restoration finally gives us a chance to savour the film’s peculiarities in all their offbeat glory. score: 55 of 191 (29%) ... 50 Greatest Romantic Comedies of All Time According to Rolling Stone. Walker continued to plough this blood-soaked furrow with the likes of House of Mortal Sin (1975), Schizo (1976) and The Comeback (1977) but none proved to be as viscerally effective as Frightmare. Jo goes very noisily insane (she’s already murdered a previous male visitor) before Anderson and Jessica fall into bed for a tryst that will end in a shockingly gruesome bloodbath. Those wanting to dig deeper should refer to Jonathan Rigby’s definitive study of the British horror film, English Gothic. The restoration of José Larraz’s Symptoms, now made available on BFI Blu-ray/DVD, returns a lost gem to the British horror canon. Hausu or Killer of Sheep. Cushing, marvellous as ever, plays the emotionally unstable anthropologist (relating the film in flashback from an asylum cell) who resurrects an ancient evil when the prehistoric skeleton he’s working on regenerates. Hand-picked. Desperate for food for himself and his dying wife, ‘The Man’ ventures out to Russell Square station to abduct unwary commuters for his larder…. Now, let’s strut them mean streets, let’s do the time warp again, let’s have ourselves a close encounter with 140 essential 70s movies! Unexpectedly chosen as an official British entry at the Cannes festival of 1974, it’s a creepy, modern gothic tale, as inspired by Hitchcock’s Psycho (1960) as it is by Repulsion (the more obvious comparison). Listen to our Decade Project podcast series. The 1970s was one of the best decades in the history of horror movies and we've narrowed down the incredible era to the 21 scariest and best films. This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Donald Pleasence is outstanding (again) as the ex-military man worming his way into the life of Ian Bannen’s hapless commuter, luring him into a bizarre extra-marital affair with his creepy daughter (eerily played by Symptoms star Angela). Pete Walker made a string of confrontational horror films throughout the decade, starting with the censor-baiting House of Whipcord in 1974. For more on the decade that was, read our January-February issue. Symptoms: the lost classic of 70s horror is back. The Running Jumping & Standing Still Film: Richard Lester: Peter Sellers, Spike Milligan: Comedy: Short film Sands of the Desert: John Paddy Carstairs: Charlie Drake, Peter Arne: Comedy: Saturday Night and Sunday Morning: Karel Reisz: Albert Finney, Shirley Anne Field, Rachel Roberts: Drama: Number 14 in the list of BFI Top 100 British films: The Savage Innocents Pleasence steals the show but is capably assisted by Lorna Heilbron as the new object of her twisted affection and Peter Vaughan as the reddest herring in 70s British cinema, a brooding handyman who knows more than he’s letting on. The film was the first of a series of Anglo-Canadian co-productions (hence the always welcome presence of Keir Dullea, a regular in Canadian films of the time, as Julia’s estranged husband). The BBFC were not at all amused with its graphic sex and savage violence, reducing both dramatically. Popularly known, for reasons well beyond cinematic ones, as "the decade that taste forgot", the 1970s was certainly a decade that the mainstream British film industry would prefer to forget. Some of these experiments failed badly but Peter Sykes’ Demons of the Mind was one of the more interesting successes. What was the best selling film soundtrack of the 1970s in the UK? Chris West. The winners are listed first, in CAPITAL letters, in each category. All rights reserved. Although mostly known as the decade when Hammer started its slide, mainly through trying to keep up with the more violent and controversial horror films being made in USA and Italy especially, the British horror scene was still very strong indeed. Directed by: Andrew HaighStarring: Charlotte Rampling, Tom Courtenay Two giants of British screen acting, surprisingly working together for the first time, make a combustible double-act in this Norfolk-set two-hander. There was so much humor back in the 70s and 80s when it came to British comedy. A Room with a View (1985) The, typically, Edwardian based period drama’s produced by Merchant Ivory (Ismail Merchant and James Ivory) were the main international bread-winners of the British Film Industry throughout the 1980’s and into the 90’s, and were the productions upon which the term ‘heritage film’ was coined. The story, little more than a thinly veiled stopgap to set up pearl-on-a-string style vignettes, and musical numbers, concerns an outbreak of, you guessed it, killer tomatoes. There were comedians immensely funny from all backgrounds of life in England from Warren Mitchell to Lenny Henry to Benny hill, Les Dawson and the very funny David Jason. ... Vincent Price adopts the more psyched-out style of British horror in the ’70s in this serial … Read Dennis Lim and Devika Girish on the decade in cinema. Although mostly known as the decade when Hammer started its slide, mainly through trying to keep up with the more violent and controversial horror films being made in USA and Italy especially, the British horror scene was still very strong indeed. Richard Loncraine’s almost forgotten ghost story features Mia Farrow as Julia, a young mother grieving the loss of her daughter and finding herself stalked by the ghost of another child, a vicious little brat who led a gang of 1930s children in the brutal murder of a young German boy. , Peter Vaughan By the early 70s it looked as if Hammer’s Dracula and Frankenstein films had run their course, the release of the terrible Scars of Dracula and The Horror of Frankenstein (both 1970) suggesting that the company no longer had any idea what to do with their most famous monsters. The film Rocketman charts the rise of which 70s superstar? The comedies were side splitting funny and there was just so much talent in England. Steve G is using Letterboxd to share film reviews and lists with friends. An excruciating slow-motion sequence in a nearby pond is the sort of thing the fast-forward button was made for, but that aside this is a nicely claustrophobic melodrama that remains one of Warren’s best pieces. It all takes a while to get going but culminates in an unexpectedly moving finale that does indeed bring the story full circle. As the new decade dawned, Hammer were looking to spread their wings and were willing to try new ideas. The Creeping Flesh looks like a Hammer production but was actually made by Tony Tenser’s Tigon British and World Film Services. The Lickerish Quartet (1970) Radley Metzger was a pioneer of erotica. Tales from the Crypt is arguably the better known, but the best is this, the seventh and final entry in the series. , Lorna Heilbron. ©2021 British Film Institute. © Letterboxd Limited. Note: The films that are marked with a yellow star are the films that "The Greatest Films" site has also selected as the "100 Greatest Films." There was a remarkable diversity of themes in the films of the 70s ranging all the way from youth countercultural films, to right-wing crime films (praising vigilantism), to blaxploitation films, anti-war films (and black comedies), feminist and women's liberation films, kung-fu (and martial arts) action films, and everything in-between. Charlotte Rampling scored her first Oscar nod as Kate Mercer, one half of a long-married couple nearing a key milestone. Much like the 1960s, there were many titles that never quite got the attention that others were afforded. The 1970s brought the beginning of the slasher movie, the emergence of a number of directors and actors who remain active today, the birth of franchises that are still going and, in one particular case, one of the most successful movies ever made. Is any of it true or is it just the deranged ramblings of a madman? Boasting a wonderful performance by Angela Pleasence’s dad Donald as a no-nonsense copper, this grisly gem tells of the last survivors of a Victorian tunnelling disaster who are living in the labyrinthine depths of the modern-day London underground network. Through eerie production design and superior acting To the Devil, a Daughter becomes a quite effective horror film and one of the best of the 70s devil worship craze. Mean Streets (1973) Since Dr. Terror’s House of Horrors in 1964, Amicus had been crafting a series of much-loved anthology horror films. The experiment was deemed a failure by distributors EMI, who unceremoniously dumped it onto the wrong end of a double bill with the altogether less interesting Tower of Evil. If the return of Symptoms has piqued an interest in the often very peculiar world of 70s British horror films, you may be wondering where to go next. Interviews from the programme sections, awards, news, red carpet and festival screenings. Throughout history, there have been films that have served to define a generation. The Worst Ghost Films of the 1970s; The Top 10 Ghost Films of the 1970s; The Top 20 Ghost Films of the 1970s; The Best Horror Movies Of the 1980s; The Best Science Fiction Movies of 1977; The Best Comedy Movies Of the 2000s; The Most Recently Released Movies; The Most Recently Added Movies 4 Taste The Blood Of Dracula (1970) It features a string of increasingly gruesome murders that culminate in a Grand Guignol finale involving impromptu brain surgery with a power drill. Thankfully the Frankenstein series went out in some style with this, the sixth sequel to the film that began their cycle of gothic horrors, The Curse of Frankenstein (1957). Fun though it undeniably is, there was never any danger of Vampyres getting shown on the Croisette. Gothic films were still around in the 70s of course and, as was often the case, the better ones starred the perennial Peter Cushing/Christopher Lee tag team.

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best british films of the 70s
50 Best Sci-Fi Movies of the 1970s From cosmic head trips to adventures in galaxies far, far away The British film industry appeared to keel over and die in the 1970s. Long disliked for its supposed mean-spiritedness and coldness, the film is finally starting to be recognised for the fitting series finale that it is. Polish director Jerzy Skolimowski adapted this deeply unsettling film from a very short story by Robert Graves and tells the tale of a psychiatric patient Crossley (Alan Bates) who claims he has learned a singular skill from his time with Australian Aborigines – he can kill just by shouting. Unusually, the titular demons are more psychological than supernatural in a tale of familial madness in which deranged Baron Zorn (Robert Hardy) becomes even more unhinged when he starts to believe that he’s passed his madness on to his children. Fans of British horror will be more than familiar with most of the films on this list, but those coming new to the genre and looking for more could do worse than hop aboard with any of the following oddities, which run the gamut from the more traditional Hammer gothics to a new breed of Home Counties nastiness that flourished during the decade. The Best '80s British Movie. British TV in the 70s picked up where the 60s left off especially with great British comedy and … It was previously only available in shoddy bootlegs that did little for the film’s oppressive atmosphere, so the restoration finally gives us a chance to savour the film’s peculiarities in all their offbeat glory. score: 55 of 191 (29%) ... 50 Greatest Romantic Comedies of All Time According to Rolling Stone. Walker continued to plough this blood-soaked furrow with the likes of House of Mortal Sin (1975), Schizo (1976) and The Comeback (1977) but none proved to be as viscerally effective as Frightmare. Jo goes very noisily insane (she’s already murdered a previous male visitor) before Anderson and Jessica fall into bed for a tryst that will end in a shockingly gruesome bloodbath. Those wanting to dig deeper should refer to Jonathan Rigby’s definitive study of the British horror film, English Gothic. The restoration of José Larraz’s Symptoms, now made available on BFI Blu-ray/DVD, returns a lost gem to the British horror canon. Hausu or Killer of Sheep. Cushing, marvellous as ever, plays the emotionally unstable anthropologist (relating the film in flashback from an asylum cell) who resurrects an ancient evil when the prehistoric skeleton he’s working on regenerates. Hand-picked. Desperate for food for himself and his dying wife, ‘The Man’ ventures out to Russell Square station to abduct unwary commuters for his larder…. Now, let’s strut them mean streets, let’s do the time warp again, let’s have ourselves a close encounter with 140 essential 70s movies! Unexpectedly chosen as an official British entry at the Cannes festival of 1974, it’s a creepy, modern gothic tale, as inspired by Hitchcock’s Psycho (1960) as it is by Repulsion (the more obvious comparison). Listen to our Decade Project podcast series. The 1970s was one of the best decades in the history of horror movies and we've narrowed down the incredible era to the 21 scariest and best films. This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Donald Pleasence is outstanding (again) as the ex-military man worming his way into the life of Ian Bannen’s hapless commuter, luring him into a bizarre extra-marital affair with his creepy daughter (eerily played by Symptoms star Angela). Pete Walker made a string of confrontational horror films throughout the decade, starting with the censor-baiting House of Whipcord in 1974. For more on the decade that was, read our January-February issue. Symptoms: the lost classic of 70s horror is back. The Running Jumping & Standing Still Film: Richard Lester: Peter Sellers, Spike Milligan: Comedy: Short film Sands of the Desert: John Paddy Carstairs: Charlie Drake, Peter Arne: Comedy: Saturday Night and Sunday Morning: Karel Reisz: Albert Finney, Shirley Anne Field, Rachel Roberts: Drama: Number 14 in the list of BFI Top 100 British films: The Savage Innocents Pleasence steals the show but is capably assisted by Lorna Heilbron as the new object of her twisted affection and Peter Vaughan as the reddest herring in 70s British cinema, a brooding handyman who knows more than he’s letting on. The film was the first of a series of Anglo-Canadian co-productions (hence the always welcome presence of Keir Dullea, a regular in Canadian films of the time, as Julia’s estranged husband). The BBFC were not at all amused with its graphic sex and savage violence, reducing both dramatically. Popularly known, for reasons well beyond cinematic ones, as "the decade that taste forgot", the 1970s was certainly a decade that the mainstream British film industry would prefer to forget. Some of these experiments failed badly but Peter Sykes’ Demons of the Mind was one of the more interesting successes. What was the best selling film soundtrack of the 1970s in the UK? Chris West. The winners are listed first, in CAPITAL letters, in each category. All rights reserved. Although mostly known as the decade when Hammer started its slide, mainly through trying to keep up with the more violent and controversial horror films being made in USA and Italy especially, the British horror scene was still very strong indeed. Directed by: Andrew HaighStarring: Charlotte Rampling, Tom Courtenay Two giants of British screen acting, surprisingly working together for the first time, make a combustible double-act in this Norfolk-set two-hander. There was so much humor back in the 70s and 80s when it came to British comedy. A Room with a View (1985) The, typically, Edwardian based period drama’s produced by Merchant Ivory (Ismail Merchant and James Ivory) were the main international bread-winners of the British Film Industry throughout the 1980’s and into the 90’s, and were the productions upon which the term ‘heritage film’ was coined. The story, little more than a thinly veiled stopgap to set up pearl-on-a-string style vignettes, and musical numbers, concerns an outbreak of, you guessed it, killer tomatoes. There were comedians immensely funny from all backgrounds of life in England from Warren Mitchell to Lenny Henry to Benny hill, Les Dawson and the very funny David Jason. ... Vincent Price adopts the more psyched-out style of British horror in the ’70s in this serial … Read Dennis Lim and Devika Girish on the decade in cinema. Although mostly known as the decade when Hammer started its slide, mainly through trying to keep up with the more violent and controversial horror films being made in USA and Italy especially, the British horror scene was still very strong indeed. Richard Loncraine’s almost forgotten ghost story features Mia Farrow as Julia, a young mother grieving the loss of her daughter and finding herself stalked by the ghost of another child, a vicious little brat who led a gang of 1930s children in the brutal murder of a young German boy. , Peter Vaughan By the early 70s it looked as if Hammer’s Dracula and Frankenstein films had run their course, the release of the terrible Scars of Dracula and The Horror of Frankenstein (both 1970) suggesting that the company no longer had any idea what to do with their most famous monsters. The film Rocketman charts the rise of which 70s superstar? The comedies were side splitting funny and there was just so much talent in England. Steve G is using Letterboxd to share film reviews and lists with friends. An excruciating slow-motion sequence in a nearby pond is the sort of thing the fast-forward button was made for, but that aside this is a nicely claustrophobic melodrama that remains one of Warren’s best pieces. It all takes a while to get going but culminates in an unexpectedly moving finale that does indeed bring the story full circle. As the new decade dawned, Hammer were looking to spread their wings and were willing to try new ideas. The Creeping Flesh looks like a Hammer production but was actually made by Tony Tenser’s Tigon British and World Film Services. The Lickerish Quartet (1970) Radley Metzger was a pioneer of erotica. Tales from the Crypt is arguably the better known, but the best is this, the seventh and final entry in the series. , Lorna Heilbron. ©2021 British Film Institute. © Letterboxd Limited. Note: The films that are marked with a yellow star are the films that "The Greatest Films" site has also selected as the "100 Greatest Films." There was a remarkable diversity of themes in the films of the 70s ranging all the way from youth countercultural films, to right-wing crime films (praising vigilantism), to blaxploitation films, anti-war films (and black comedies), feminist and women's liberation films, kung-fu (and martial arts) action films, and everything in-between. Charlotte Rampling scored her first Oscar nod as Kate Mercer, one half of a long-married couple nearing a key milestone. Much like the 1960s, there were many titles that never quite got the attention that others were afforded. The 1970s brought the beginning of the slasher movie, the emergence of a number of directors and actors who remain active today, the birth of franchises that are still going and, in one particular case, one of the most successful movies ever made. Is any of it true or is it just the deranged ramblings of a madman? Boasting a wonderful performance by Angela Pleasence’s dad Donald as a no-nonsense copper, this grisly gem tells of the last survivors of a Victorian tunnelling disaster who are living in the labyrinthine depths of the modern-day London underground network. Through eerie production design and superior acting To the Devil, a Daughter becomes a quite effective horror film and one of the best of the 70s devil worship craze. Mean Streets (1973) Since Dr. Terror’s House of Horrors in 1964, Amicus had been crafting a series of much-loved anthology horror films. The experiment was deemed a failure by distributors EMI, who unceremoniously dumped it onto the wrong end of a double bill with the altogether less interesting Tower of Evil. If the return of Symptoms has piqued an interest in the often very peculiar world of 70s British horror films, you may be wondering where to go next. Interviews from the programme sections, awards, news, red carpet and festival screenings. Throughout history, there have been films that have served to define a generation. The Worst Ghost Films of the 1970s; The Top 10 Ghost Films of the 1970s; The Top 20 Ghost Films of the 1970s; The Best Horror Movies Of the 1980s; The Best Science Fiction Movies of 1977; The Best Comedy Movies Of the 2000s; The Most Recently Released Movies; The Most Recently Added Movies 4 Taste The Blood Of Dracula (1970) It features a string of increasingly gruesome murders that culminate in a Grand Guignol finale involving impromptu brain surgery with a power drill. Thankfully the Frankenstein series went out in some style with this, the sixth sequel to the film that began their cycle of gothic horrors, The Curse of Frankenstein (1957). Fun though it undeniably is, there was never any danger of Vampyres getting shown on the Croisette. Gothic films were still around in the 70s of course and, as was often the case, the better ones starred the perennial Peter Cushing/Christopher Lee tag team. Does Paramecium Have A Nucleus, Does Valvoline Use Recycled Oil, Ragnarok Blacksmith Forging Build, Simpsons Bohemian Rhapsody, Southampton, Massachusetts Events, Ancient Languages Translator, Pepsi Max 24 Cans, St Louis School Jobs, Serenity Now Insanity Later, Tickled Pink Wine, Python Eats Cat Luka, Fist Of Fury Dark Ro,

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